Hello! Nice to see you again today! Thank you to still reading my post. Today I want to share something to you. Today let's we learn about mood in the painting. Usually when we paint, we like to boring or tired. Now I want to teach you how to make a good painting in all situation.
First, one thing that you have to know is " Your Paint is yourself ". Many people paint without feeling. They just paint on without a purpose. It wasn't a good decision. Make your own paint with all of your heart. Make it be a usefull painting.
Second, "Dont be scare about fail". It makes you stronger than before. It trains you to be a strong man. Be a man, face your giant, Make your imagination fly free. Sometimes it make an Inspiration to painting the another.
Third, " You could paint an unpredicted painting in different mood. Just paint what inside of your mind. Be creative! Just try on now. It would be surprise you! Trust me! I've tried before.
Just like these..
How are they? Nice right? It was a good painting. If you want to paint like these, first you have to begin with simple one, then create it more complicate. Just feel your imagination creation. Enjoy them!
Quick tips for abstract painting techniques:
- Keep your painting composition as simple as possible.
- Keep your colors as simple as possible. Start with two or three colors, explore their possibilities to their full extent, only add other colors if the painting needs it.
- Work from big to small: first fill the whole canvas with a background.
- Try out different gestures: 'feel' what they mean, and use these qualities.
- Also 'feel' your way into different area's of your painting, and relate them to the way you feel your own body (it helps, when you work standing up).
- If you want your painting to have 'body': don't cling too much to your first strokes. Paint like a construction worker, when you do a first layer, and paint over that without pain in your heart.
- But when the painting has 'body', or you like a thin and ethereal look: hardly no effort can improve on the purity of the first stroke.
How abstract is abstract?
When you paint, you always refer to something. If it isn't to the outside world, it is to your own body, or mood, something you know, or the idea you have in mind while you paint. My experience is: when you paint without having any subject in mind, you create a depiction of yourself, or the way you are or feel at that moment. Sometimes even organs like the heart or the kidneys can be pointed out on a painting like that. This body-thing is important, because in abstract painting techniques, you actually work with the thinking capacity of your body. Just likt graffity-painters and dancers do. And: when you conciously relate to your painting with your body, you will enable your onlookers to do the same, and feel their way into your painting. When you let go of the outer appearance of things, delivered by the eyes, the body is the first thing you have in common with your on lookers.
The human factor
We are humans, and for a painting to be beautiful or meaningful to us, it has to have some relation to what we are. Not all abstract painters are formal; Mark Rothko, an abstract colorfield painter, declared that he was in no way interested in form or the relation between form or color. He said, all he was interested in, was depicting basic human emotions like fear, love, exaltation and such.
Some painters think that abstract painting techniques need to be disharmonic - but it doesn't have to be that way. A painting can affect you in two different ways - one way is: luring you in with beauty, offering a space or a scene that you're free to respond to - or not. The painting doesn't do anything directly: it waits, untill you are ready to open your soul, and allow the experience. The other way to make an artwork impressive is by force - by presenting effects that are ugly, disharmonic or painful to look at. Uglyness is often a necessary ingredient for a good artwork. Some artworks however are disharmonic or painful to look at, without offering any kind of solace or transformation. Some people actually find this kind of art really beautiful or important. And others wonder how an artist could possibly do that stuff.
This is not about making judgments. It's necessary to deal with things that are cruel, not nice, or ugly. I like artworks that show a way of dealing with these facts of life. Like reality, art can't only be beautiful. It can't be only ugly either. What matters is, if it generates some meaning - which is something beyond ugly or beautiful.
Creating abstract art
When doing abstract painting techniques, you work with all the elements that you use in realistic painting. You use form, color, some navigation in space, proportions, composition. The difference with realism is: you go to the inside of things, instead of the outside. However, there's a sidetrack or parallel universum you can loose yourself into: the mathematic world of form or color, where all forms and qualities are abstract, and equally interesting and valuable. Kandinsky had a certain incling to that. You can prevent yourself from getting lost, by choosing a subject, define its meaning, and stick to it.
Subjects in abstract painting techniques
Abstract painting techniques are very suitable to sort things out for yourself. You can paint any subject, as long as you stick to it. Some suggestions:
- A mood or feeling, preferrably linked to memorizing a concrete event. What did your anger look like?
- Contrasting qualities: hard-soft, big-small, simple-complicated, light-heavy etc.
- A person - what is he or she like, when you think away the face? Paint him/her in colors and form. You'll be surprised.
- Very interesting: take a map of your country or part of the world, and color it (don't stay within the lines of the borders!)
- Take the medical encyclopedea, and 'translate' functions of an organ, or the nervous system into an abstract painting
Abstract painting techniques in art history
Abstract painting techniques are pretty new in art history. Before world war 2, they were still referred to as 'gegenstandslos', meaning "immaterial" or "without objects". At that time, the goal of abstract painting was explicitly spiritual, done with the aim of exploring new worlds of experience. After WW2, abstract painting went more formal (as the spiritual went temporarily out of fashion).
There's a big difference between old abstract painters like Mondrian or Kandinsky, and contemporary ones. The old ones had an old-fashioned training in realistic oil painting techniques. In that, they learned about natural proportions and color. They took this knowledge into their abstract work, which gives it its actual quality.
Thank you for your attention. See you next week.. God Bless You